How do you FIGURE (Part One)
Part One: Instructions
You see I am the famous historical figure of speech.
S to the P double e c-h
I represent perfection in annunciation; give erections to pathologists envying my pronunciation.
I am the synecdoche to the city of whirlwinds of imagination,
The prissy, privately praised prized, preferred poet of alliteration
The superbly, wordy hyperbole with the greatest gift of gab since my hell-bent vocals
stole the soul from me, myself and positively apostrophe I am godly inanimate transaction figure of
speak easy bake me a cake as fast as you can, with bendable bodies of work that stand
the testament of defying time personifying rhyme
with no reason
I rock para-docs that heal disease and misery with sick rhymes that infect minds dizzily.
I embody anaphora with a body of oratory, a body of past and present participles
and a body of frozen words eye-cycling out of mouths with alphabetized DNA
that house
Diligent Neanderthal Academics
genetic codes that
seem to say I’m more of a symbol than cymbals
clashing togetherness with me stuck in between
genius and stupidity.
Linguistically sublime, I spit mystically undefined.
Don’t take me literally- in fact don’t take me anywhere at all.
I’m fine standing cemented to this wall right now right here.
Demanding another demented metaphor telling me how things are not what they appear.
To be
Or not to be
Me is
To be nothing at all.
I am the oracle of rhetorical that has you wondering why am I
the epitome of language arts and craftiness with no real questions
ever answered.